{"id":8680,"date":"2022-09-20T00:00:00","date_gmt":"2022-09-19T22:00:00","guid":{"rendered":"https:\/\/sfc.com\/spain-film-commission-refuerza-sus-relaciones-internacionales-con-iberoamerica-en-el-marco-del-70-festival-de-san-sebastian\/"},"modified":"2025-02-11T08:06:47","modified_gmt":"2025-02-11T07:06:47","slug":"spain-film-commission-refuerza-sus-relaciones-internacionales-con-iberoamerica-en-el-marco-del-70-festival-de-san-sebastian","status":"publish","type":"post","link":"https:\/\/spainfilmcommission.com\/en\/blog\/spain-film-commission-refuerza-sus-relaciones-internacionales-con-iberoamerica-en-el-marco-del-70-festival-de-san-sebastian\/","title":{"rendered":"Spain Film Commission refuerza sus relaciones internacionales con Iberoam\u00e9rica en el marco del 70 Festival de San Sebasti\u00e1n"},"content":{"rendered":"

Spain Film Commission ha celebrado este martes 20 de septiembre una mesa redonda en el marco del 70 Festival de San Sebasti\u00e1n con, entre otros objetivos, “reforzar las relaciones internacionales de nuestra organizaci\u00f3n”, tal como ha se\u00f1alado el presidente de la asociaci\u00f3n, Carlos Rosado.<\/span><\/p>\n

Organizada en colaboraci\u00f3n con Latinamerican & Caribbean Film Commission Network-LFCN y Latin American Training Center-LATC, la mesa redonda “Nuevas oportunidades de colaboraci\u00f3n audiovisual entre Espa\u00f1a y Latinoam\u00e9rica”, ha analizado el papel de las film comissions y film office en Latinoam\u00e9rica y Espa\u00f1a para promover sus destinos, infraestructuras, incentivos y localizaciones en este momento de reapertura de la industria, y nuevas formas de colaboraci\u00f3n entre ellas.<\/span><\/p>\n

Moderado por\u00a0Steve Solot<\/strong>, presidente del Latin American Training Center-LATC y Asociado para Latam, Olsberg SPI, este panel de expertos ha contado adem\u00e1s con la participaci\u00f3n de\u00a0Luiz Toledo<\/strong>, director de Asuntos Internacionales de SPcine (Brasil), y\u00a0Diana \u00c1lvarez<\/strong>, directora de COMEFILM (M\u00e9xico). Todos ellos han expuesto al numeroso p\u00fablico asistente las respectivas experiencias de las organizaciones hom\u00f3logas de sus respectivos pa\u00edses.<\/span><\/p>\n

Carlos Rosado<\/strong>\u00a0ha tomado la palabra en primer lugar para recordar la labor desarrollada por SFC a lo largo de dos d\u00e9cadas, periodo en el que ha logrado tejer una red profesional con entidades que nos permiten llegar a todo el territorio nacional, crear el HUB Audiovisual para fortalecer todos los recursos que tiene Espa\u00f1a para atraer rodajes internacionales e implementar incentivos fiscales a las producciones audiovisuales.<\/span><\/p>\n

“Si queremos seguir siendo competitivos, tenemos que profundizar m\u00e1s”, ha dicho Rosado, quien ha recordado que “pertenecemos a una comunidad con elementos identitarios comunes, como es Iberoam\u00e9rica”. Por ello, “hemos querido realizar esta acci\u00f3n con representantes de M\u00e9xico y Brasil, y esperamos que ello nos permita estrechar lazos para ayudarnos mutuamente y avanzar en nuestras relaciones”.<\/span><\/p>\n

A continuaci\u00f3n,\u00a0Steve Solot<\/strong>\u00a0ha expuesto datos de la consultora audiovisual Olsberg SPI sobre las ventajas, necesidades, fortalezas y amenazadas de Am\u00e9rica Latina al sector audiovisual, y destac\u00f3 que “el 67% de los gastos de una producci\u00f3n revierten en sectores ajenos al audiovisual”, lo cual constituye “un impacto econ\u00f3mico muy interesante porque el beneficio no recae solo en el sector audiovisual, sino en todo el territorio”.<\/span><\/p>\n

Tambi\u00e9n destac\u00f3 que varios pa\u00edses de Iberoam\u00e9rica ofrecen ayudas directas a la producci\u00f3n que, sin embargo, “corren riesgos de desaparecer”, y mencion\u00f3 los casos de Colombia, Brasil, Argentina y M\u00e9xico.<\/span><\/p>\n

Diana \u00c1lvarez<\/strong>, directora de COMEFILM, comisi\u00f3n nacional perteneciente al Instituto Mexicano de Cine (IMCINE), ha explicado que el objetivo de este organismo es tambi\u00e9n “promover M\u00e9xico como destino f\u00edlmico, apoyando producciones con servicios de asesor\u00eda, gesti\u00f3n de permisos, seguridad, vinculaci\u00f3n con las autoridades o promoci\u00f3n y acompa\u00f1amiento”.<\/span><\/p>\n

Por \u00faltimo,\u00a0Luiz Toledo<\/strong>, ha presentado la SPCine, la oficina de atenci\u00f3n a los rodajes que opera exclusivamente en la ciudad de Sao Paulo, donde habitan m\u00e1s de 12 millones de personas. Toledo ha indicado que entre 2016 y 2021, esta oficina ha facilitado el desarrollo de producciones audiovisuales por importe superior a los 500 millones de euros, que han generado 99.000 puestos de trabajo directos y 4.758 indirectos.<\/span><\/p>\n

Presentaci\u00f3n Spain A\/V Hub<\/strong><\/span><\/p>\n

Durante la ma\u00f1ana, Teresa Azcona, directora general SFC Spain Audiovisual Hub, ha participado en una charla organizada en el marco de los Spanish Screenings, que, bajo el t\u00edtulo “Dentro del mercado espa\u00f1ol: el boom audiovisual en Espa\u00f1a – Spain A\/V Hub”, ha presentado al p\u00fablico –integrado principalmente por productores e inversores internacionales- las ventajas que ofrece Espa\u00f1a para las producciones nacionales e internacionales, tanto administrativas como fiscales y econ\u00f3micas.<\/span><\/p>\n

Tras repasar las cinco l\u00edneas actuales de trabajo de Spain Film Commission: Spain Friendly Land, Transmedia Platform, Shooting in Spain, Spanish Film Talent Network y Spain Virtual Location, Azcona ha incidido en la importancia de la aplicaci\u00f3n de incentivos fiscales como forma de impulsar la llegada de rodajes internacionales a Espa\u00f1a, y se ha convertido en “uno de los especiales empe\u00f1os de Spain Film Commission”, en los que lleva trabajando desde 2014. Ese a\u00f1o “se plante\u00f3 la importancia de esos incentivos y gracias a ellos, pudimos tener en Espa\u00f1a el rodaje de Juego de Tronos, que de otra manera nunca habr\u00eda tenido lugar en nuestro pa\u00eds”.<\/span><\/p>\n

La charla, celebrada en la Sala Patio de Tabakalera, ha contado tambi\u00e9n con la presencia de Cristina Morales, subdirectora general de Ordenaci\u00f3n de los Servicios de Comunicaci\u00f3n Audiovisual, Direcci\u00f3n General de Telecomunicaciones y Ordenaci\u00f3n de los Servicios de Comunicaci\u00f3n Audiovisual, Secretar\u00eda de Estado de Telecomunicaciones e Infraestructuras Digitales; Elisa Garc\u00eda, directora ejecutiva de ICEX-Invest in Spain, y Camilo V\u00e1zquez, asesor del Instituto de Cinematograf\u00eda y las Artes Audiovisuales (ICAA).<\/span><\/p>\n

Cristina Morales – Servicios de Comunicaci\u00f3n Audiovisual<\/strong><\/span><\/p>\n

En su intervenci\u00f3n, Cristina Morales ha recordado que, desde 2019, “el Gobierno trabaja en un plan de pa\u00eds para consolidar las fortalezas del sector audiovisual espa\u00f1ol”. Morales ha recordado que el sector audiovisual “fue uno de los sectores econ\u00f3micos que m\u00e1s r\u00e1pidamente se ha recuperado tras el Covid19, con un incremento del 3% en la producci\u00f3n de largometrajes en 2020”, lo que convierte a Espa\u00f1a en el segundo pa\u00eds europeo en n\u00famero de largometrajes producidos ese a\u00f1o, tras Italia. Tambi\u00e9n ha destacado que la inversi\u00f3n de las plataformas en producci\u00f3n en Europa creci\u00f3 un 5%, hasta los 17,4 billones de euros, y Espa\u00f1a “se ha llevado el 37% de esa inversi\u00f3n”.<\/span><\/p>\n

Elisa Garc\u00eda – ICEX<\/strong><\/span><\/p>\n

Elisa Garc\u00eda, directora ejecutiva de ICEX-Invest in Spain, ha explicado en su intervenci\u00f3n que este organismo p\u00fablico tiene como misi\u00f3n “apoyar la internacionalizaci\u00f3n de la econom\u00eda espa\u00f1ola”, ayudando a las empresas espa\u00f1olas a su proyecci\u00f3n exterior como a los inversores extranjeros que quieren operar en Espa\u00f1a. En ese sentido, ha destacado que “ofrecemos un equipo profesionalizado y una red de 100 oficinas en las embajadas espa\u00f1olas, adem\u00e1s de las 30 oficinas abiertas en Espa\u00f1a”.<\/span><\/p>\n

Camilo V\u00e1zquez – ICAA<\/strong><\/span><\/p>\n

Por \u00faltimo, Camilo V\u00e1zquez, asesor del Instituto de Cinematograf\u00eda y las Artes Audiovisuales (ICAA), ha destacado que el objetivo es “situar a Espa\u00f1a como referente internacional del audiovisual” y, para ello, est\u00e1n impulsando reformas destinados a fortalecer el tejido empresarial y l\u00edneas de ayudas la producci\u00f3n, a laboratorios, al sector de los videojuegos, a la exhibici\u00f3n y las salas de cine, y al fomento de la digitalizaci\u00f3n sostenible. V\u00e1zquez considera que la reforma de la Ley del Cine servir\u00e1 para “ampliar el espectro para incorporar a toda la actividad audiovisual y a todos los actores de la cadena de valor”.<\/span><\/p>\n

\u00a0<\/p>\n

#SHOOTINGINSPAIN #RUEDAENESPA\u00d1A\u00a0<\/span><\/span>#WEMAKETHEMAGIC #SPAINAVHUB #PLANDERECUPERACION<\/span><\/h3>\n
\u00a0<\/div>\n","protected":false},"excerpt":{"rendered":"

Spain Film Commission ha celebrado este martes 20 de septiembre una mesa redonda en el marco del 70 Festival de San Sebasti\u00e1n con, entre otros objetivos, “reforzar las relaciones internacionales […]<\/p>\n","protected":false},"author":2,"featured_media":8681,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[38],"tags":[],"class_list":["post-8680","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias"],"yoast_head":"\nSpain Film Commission refuerza sus relaciones internacionales con Iberoam\u00e9rica en el marco del 70 Festival de San Sebasti\u00e1n - Spain Film Commission<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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